How To Make Anime Style Character In Blender

Model an Anime-style Space Buck in Blender

Introduction

In this tutorial, I will show the process of making the "Space Cadet" 3D Illustration. The main focus is to create a cartoon graphic symbol with realistic materials. Outset I will cover modeling and sculpting techniques using Blender ii.82, then texture it with Substance Painter, going back to render the project in Blender, and finally post-produce it with Photoshop.

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Mix of Topology, UVs and Final Render

Concept of the paradigm

This prototype is based on a concept by the French creative person Guillaume Singelin, who is a comic book artist and illustrator. Heavily Influenced by Toriyama and Otomo, and focused on making cartoon characters. This image portrays a space cadet.

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Concept art vs Render

Modeling Loop process

I always use the same method for modeling. Kickoff making a basic block out of the shapes until my eyes get tired of the image, and then I make a render and draw over it what is missing. That helps me out thinking about what I need to focus on adjacent. I do this over and over until I can no longer notice details to add together or modify.

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Process and Topology

UVs and Texel Density

Mark all the seams then Unwrap them to make the UVs of all the meshes, so apply the same texel density to all of them to have the same texture resolution – I used 40.96 px/cm. Finally, join a maximum of meshes per tileset. This project took a total of ix 4K tilesets.

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UVs Basic vs UVs Texel density right

Reference board

I make a board to gather my references, divide the board by meshes and offset looking for objects that have the textures I want to attain in each ane. In this projection, the essential references were the spacesuit, the easily, and the freckles. That'due south why I have a lot more images of them.

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Reference lath

Importing and baking

When Importing the mesh, be sure to apply the PBR – Metallic Roughness template and OpenGL at the Normal Map Format. After that I start baking the kickoff Tileset, because the size of the textures is in 4K, that's the measure I use in Output Size at the Baking. In the ID Map Change the Color Source to Vertex Color. With that, you lot will mask easily.

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Import and Bake Vertex Color

Emissive cloth

First I brand a 4K Image that I will employ as alpha in the screen monitor, then add the Emissive channel inside Substance Painter. I use this blastoff as a base, but I will be adding multiple layers over it. Kickoff, an Ambient Occlusion to brand the center look brighter than the corners, then a scanline effect to give an oldish feeling. Finally, the intense part of the emissive will be colored in yellow, and the darker ane volition exist orange.

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Calculation layers to requite more detail

Blender Cycles Consign Preset

I fabricated a preset for Blender, having the Albedo, Metalness, Roughness, and Normal Map using OpenGL and adding Ambient Apoplexy, Emissive, Opacity, Scattering and Thickness. Substance Painter will omit the maps you have not used. It is crucial to utilize OpenGL for Normal Maps to have a correct height direction.

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Blender Cycles Export Preset

Multiple lighting sets

I apply temperature to the lights using the Blackbody Node and create diverse sets of lighting playing differently with heat and cold, and save all of them in a collection. And then I brand an image with all the options together. That helps me decide which 1 describes best the emotion I'one thousand looking to achieve.

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All Lighting sets

Rendering

The easiest mode to use the Texture Maps of Substance Painter within Blender is with the PrincipledBSDF node. For this project was used 2500 samples to remove skin noise without denoise, the option Utilize Hair checked, and because the scene takes 5GB to return Information technology was possible to use only the GPU, giving me a faster render than CPU.

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Global Configuration

Mail service-production

In the postal service-production stage, I try to highlight the relevant areas of the project, using Camera RAW inside Photoshop. Enhancing the lights, shadows, and increasing the sharpness of the image, also testing multiple color-gradings to find the right one. Finally, I focus on the importance of the picture past darkening some areas with the alloy mode multiply and illuminating others with the blend mode screen.

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Earlier and afterwards

Peak tip 1 - Use PBR Textures Fast

To apace apply the textures made in Substance Painter within Blender, use the Node Wrangler Addon Shortcut Command+Shift+T and select all the maps.

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Auto PBR Node Wrangler

Top tip ii - Use the same Texture Resolution

To accomplish the same texture resolution in all objects, you demand to take the same Texel Density, and you can get that with the Free Texel Density Checker Improver.

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